{"id":348,"date":"2018-03-13T22:38:42","date_gmt":"2018-03-13T22:38:42","guid":{"rendered":"https:\/\/projekt-il.art\/?page_id=348"},"modified":"2022-09-16T10:59:58","modified_gmt":"2022-09-16T10:59:58","slug":"partner","status":"publish","type":"page","link":"https:\/\/www.projekt-il.art\/en\/about-projekt-il\/partner\/","title":{"rendered":"Team"},"content":{"rendered":"\n
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Team<\/h1>\n\n\n\n

projekt-il works with different partners in flexible artistic and participatory collaborations. Through the joint artistic and conceptual work, a team has come together that has significantly accompanied the work of projekt-il since 2015.<\/p>\n\n\n

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Bianca K\u00fcnzel<\/strong> Freelance Actress, Speaker and Performer<\/em>
lives and works as a freelance actress, speaker and performer in D\u00fcsseldorf. Guest engagements have taken her to the Nationaltheater Weimar, the D\u00fcsseldorfer Schauspielhaus, the Ruhrtriennale and the FFT D\u00fcsseldorf, where she worked with Christoph Schlingensief and Luk Perceval, among others. In various regular collaborations, including with kainkollektiv and her own artist collectives projekt-il and waltraud900, she creates theatrical scores between theatre, installation and performance that directly address issues of public space.<\/p>\n\n<\/div><\/div><\/div>\n<\/div>\n\n\n

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Alexander Steindorf<\/strong> <\/strong>Actor, Director and Author<\/em>
studied visual communication at the Bauhaus University in Weimar. He worked as an actor at the German National Theatre in Weimar and the D\u00fcsseldorf Schauspielhaus, among others. Since 2007 he has also realised his own projects as an actor and director. He was awarded the Gustaf Theatre Price 2015 as the best actor of the Junges Schauspielhaus. Together with Bianca K\u00fcnzel, he founded projekt-il and has since directed at the D\u00fcsseldorf Schauspielhaus, the FFT D\u00fcsseldorf and the Nationaltheater Weimar.<\/p>\n\n<\/div><\/div><\/div>\n<\/div>\n\n\n

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Matts Johan Leenders<\/strong><\/strong><\/strong> Musician, Composer and Graduate Engineer in sound and image technology<\/em>
At the theatre he works as a composer, musical director, sound designer, sound engineer or on stage as a multi-instrumentalist and singer. In addition, Leenders is active as a choir director and pianist in gospel music, in 2011 he received the WDR Jazz Prize in the category for young musicians with the FH Big Band, and in 2012 his first book „Sound for Video Games“ was published. He was responsible as musical director and composer for the recitals Heart of Gold, Boys don’t cry and girls just want to have fun, I build my time and Alice (all directed by Andr\u00e9 Kaczmarczyk) at the D\u00fcsseldorf Schauspielhaus. He has been working with projekt-il since 2015.<\/p>\n\n<\/div><\/div><\/div>\n<\/div>\n\n\n

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Dorle Trachternach <\/strong><\/strong><\/strong>Author and Dramaturge<\/em>
studied creative writing and cultural journalism at the University of Hildesheim. Since graduating, she has worked as an author and dramaturge with experts at the interface of research and overwriting. She has worked for the Deutsches Theater Berlin (2011 and 2020), the Staatsschauspiel Dresden (2010 and 2011) and Mousonturm Frankfurt (2020). Since 2016, she has worked primarily at the B\u00fcrgerb\u00fchne of the D\u00fcsseldorf Schauspielhaus, including in A Midsummer Night’s Dream directed by Joanna Praml (nominated for the FAUST for Best Director 2016) and Peer Gynt directed by Felix Krakau (awarded the K\u00f6rber Studio Prize for Young Directors 2018). She has had an ongoing collaboration with projekt-il since 2015.<\/p>\n\n<\/div><\/div><\/div>\n<\/div>\n\n\n

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Katrin Wiesemann <\/strong><\/strong><\/strong>Production Manager<\/em>
studied Media and Cultural Studies, B.A., and Business Administration, B.Sc., at Heinrich Heine University D\u00fcsseldorf. She worked at the D\u00fcsseldorf cultural festival altstadtherbst, at European Film Promotion in Hamburg and at the event agency passepartout GmbH. From 2013, she worked as an assistant to the artistic direction at the Pforzheim Theatre, the Constance Theatre and the Oberhausen Theatre, before starting to work as freelance production manager in 2020 and she now works on projects ranging from dance to new music to drama in the independent scene.<\/p>\n\n<\/div><\/div><\/div>\n<\/div>\n\n\n

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